Lord D.
The one who holds the quill
Lord Darius von Croÿ
Lord D.
The Chronicler of the Unseen Realm
Darius is immortal—one of the blood-cursed, bound to the unending hunger of the eternal night. The breath of the living sustained him in life; their blood sustains him still, for good or for ruin.
He was not born of shadow, but fashioned into it: once a mortal man, turned at the edge of death by the dark rite of another of his kind. The world has called such creatures by a hundred fearful names—Striga, Upyr, Revenant, Chiropteran—yet all speak of the same dread lineage the living whisper of as vampires.
Though he is the youngest to sit among the Council of the Revenant Lords, sovereigns of the underworld’s hidden dominion, his turning came in an age when Greece still wore the crown of empire.
In his first life he bore a curse as treacherous as any sorcery: a beauty too rare for the world to hold without harm. Desired for his grace, sought for pleasure and for company in the decadent courts of that ancient realm, he inspired longing, envy, and ruin wherever he lingered. His mortal story closed in tragedy, as if fated to mirror the brief and troubled arc of his days.
Yet death would not claim him entire. Deemed too rare a soul to be surrendered to the worms, he was raised again by a draught of the All-Mother’s own blood—an ascension that made of him an Emperium Striga, highest among the blood-born, endowed with powers that eclipsed those of his kin.
Some say the night itself leans nearer to hear his steps, as if remembering the hour he first rose from the grave.
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The Ember Codex
“Break the seal, and the ash shall speak.”
The Ember Codex
The Codex of the Realms by Lord D.
Across these vellum pages, in the measured hand of Lord Darius, unfolds a rare vantage—an unclouded view of the unseen realm and its ceaseless entanglement with the affairs of humankind.
Through the Oracles of the Four Elemental Watchtowers—temples scattered at the thresholds of earth, water, air, and fire—he claimed sight beyond mortal borders, their voices serving as his distant eyes and ears. From this watchful height he charted both worlds as one, their boundaries more fragile than either would ever confess.
By ink drawn dark into ancient vellum, Darius writes of the Sacred Canon: a grave litany of laws that bind the Underworld and the creatures who abide within its shadow. He speaks, too, of the Anointed Ones—scattered lines of humankind, set apart by either divine blessing or the decree of the Revenant Overlords, whose blood is forbidden to be spilled or corrupted by unnatural means.
Yet among his chronicles, none compels as keenly as the sections he called the “Abouts”—marginal reflections and coldly lucid footnotes on the species that haunt the dark beneath our feet and walk unseen beside our kind. It is here that the manuscript becomes less a history than a mirror, revealing the nature of beings older than memory itself: their instincts laid bare, their cruelties unvarnished, their few virtues measured without indulgence.
His tone is neither cruel nor kind. It is the gaze of one who has outlasted dynasties, whose emotions have narrowed to a pale remnant of what once was, until even grief and wonder have become distant echoes—occasional masks they wear for their own unfathomable reasons.
There is a hush in these pages, as though the ink remembers what the world has forgotten, and waits for the patient hand willing to turn the next leaf.
The Bestiary
The Sacred Canon
The Anointed Ones
The Bestiary
Name them, and they stir in the dark again; remember them, and the Veil grows thin.”
The Bestiary
xxx
Bound in timeworn leather and secured by a fading clasp of bronze, this ancient scroll-book is known as “The Bestiary.” Within its brittle vellum leaves are set down the creatures of the unseen world—their breeds, their lineage traced unbroken to the primal matriarch, the All-Mother.
The script is rendered in a lost alphabet, a tongue of curled sigils and silent strokes. Across those pages we find the measured hand of Lord Darius von Croÿ, whose words remain as steady as the ink that binds them to the page:
“Most of the unseen born to the All-Mother dwelt not in flesh but in the ethereal reaches beyond the Veil—beings of thought and pulse, shaped of the Mother’s own emotions. Mortals called them demons, but the truer word is daemons. They were neither wholly good nor wholly wicked; they simply were, as tides are, rising and receding with her moods.”
*“Then came the Light. And with it came humanity—though few remember that there were once other human races, as ancient as the earth itself. Nature compelled them to contend, until only one lineage endured.
In that age, after the rise of humankind, the first true Children of the Night were born of the All-Mother’s womb. Many took the guise of mortals, though some bore shapes that defied the eye, and even those who looked like men and women wielded the powers once reserved for gods.”*
“Ages turned. The Children of the Night, like humankind, grew numerous. They bred among their own and sometimes with mortals, and so the divine blood of the All-Mother thinned, splintering into tribes and races—each branch a shadow of the first matriarch’s might.”
The Sacred Canon
“Law holds the night in its iron grasp—yet even the oldest decree may one day be unshackled by shadows.”
The Sacred Canon
The Laws of the Underworld
The Sacred Canon is the unyielding body of laws that binds every creature of the Underworld—each Child of the Night held to its decrees under the ultimate penalty of death. Etched in the earliest days of the hidden realm, these edicts were shaped to shield the supernatural from mortal sight and to compel a fragile order among races long at war with one another.
Among the oldest and most unbending of these decrees was the Prohibition of the Cambion, a law that forbade the mingling of witch and incubus, lest their union bring forth a breed neither realm could control. Yet in the twelfth century, the Overlords themselves struck down this ancient prohibition without proclamation or plea.
For more than two centuries the reason lay buried in silence—an omission that whispers of a design more deliberate than chance, a secret sealed in shadow for those patient enough to seek the pattern beneath the centuries.
Even now, the parchment remembers the weight of that rescinded law, as if the ink itself resents being unbound.
The Anointed Ones
“Spill not the blood that bears the seal, for in its ruin the woven fate of realms would fray.
The Anointed Ones
The Untouchable Blood
Bound in timeworn leather and secured by a fading clasp of bronze, this ancient scroll-book is known as “The Bestiary.” Within its brittle vellum leaves are set down the creatures of the unseen world—their breeds, their lineage traced unbroken to the primal matriarch, the All-Mother.
The script is rendered in a lost alphabet, a tongue of curled sigils and silent strokes. Across those pages we find the measured hand of Lord Darius von Croÿ, whose words remain as steady as the ink that binds them to the page:
“Most of the unseen born to the All-Mother dwelt not in flesh but in the ethereal reaches beyond the Veil—beings of thought and pulse, shaped of the Mother’s own emotions. Mortals called them demons, but the truer word is daemons. They were neither wholly good nor wholly wicked; they simply were, as tides are, rising and receding with her moods.”
*“Then came the Light. And with it came humanity—though few remember that there were once other human races, as ancient as the earth itself. Nature compelled them to contend, until only one lineage endured.
In that age, after the rise of humankind, the first true Children of the Night were born of the All-Mother’s womb. Many took the guise of mortals, though some bore shapes that defied the eye, and even those who looked like men and women wielded the powers once reserved for gods.”*
“Ages turned. The Children of the Night, like humankind, grew numerous. They bred among their own and sometimes with mortals, and so the divine blood of the All-Mother thinned, splintering into tribes and races—each branch a shadow of the first matriarch’s might.”
V The First
The Codex
Who
When
What
How
Where
Why
The Saga
AudioBooks
Graphic Novel
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WM
The WM Project
